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Wed 05.28.2025 Synesthesia ∞ Solidarity with Gabo Camnitzer and Elian Chali
Wed 05.21.2025 Kitawîrisu’ (or The Gambler) with Nathan Young, Warren Realrider, and Mekko Harjo
Wed 05.14.2025 Music Research Strategies: Listen Like Wolves – A Grammar of Motives
Sat 05.10.2025 “Surveillance Party”: Security and Safety for Artists in These Times
Wed 05.07.2025 Monthly Reiki Meditation
Thu 05.01.2025 Sounding Together Towards the Unknown
Wed 04.30.2025 TALES FROM AREA 212: THE URBAN LEGEND… THE RUMOR…
Wed 04.23.2025 Homegrown Screening with Filmmakers Michael Premo and Rachel Falcone
Wed 04.16.2025 Public Art On Screens: Creative Time & Times Square Arts
Wed 04.02.2025 Monthly Reiki Meditation
Wed 03.26.2025 Listening Session with DJ Cintronics, The Avenue DJs from The Lower Eastside Girls Club
Thu 03.20.2025 The Scream and The Silence with Harmony Holiday, Raven Chacon, JJJJJerome Ellis
Wed 03.12.2025 Scoring to Remember with Laura Ortman & Razelle Benally
Wed 03.05.2025 Monthly Reiki Meditation
Wed 02.26.2025 The Censored Voices with Samora Pinderhughes, The Healing Project, Anjelica Mantikas, Esq.
Wed 02.19.2025 SONIC UNDERCOMMONS: COMMUNION with Joy Guidry, Li(sa E.) Harris, Dorchel Haqq
Thu 02.13.2025 Listening with Politics with Lawrence Abu Hamdan
Wed 02.12.2025 SONIC UNDERCOMMONS: PROTECTION with yuniya edi kwon and Holland Andrews
Wed 02.05.2025 Monthly Reiki Meditation
Thu 01.30.2025 The Coded Language: QueerWordPlay
Wed 01.29.2025 Pomegrenade, a Collective Song
Wed 01.22.2025 Disorderly Noise: Kicking Off a Year of the Sonic Commons

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Kitawîrisu’ (or The Gambler)

Kitawîrisu’ (or The Gambler) with Nathan Young, Warren Realrider, and Mekko Harjo

05.21.2025
6:00 pm–8:00 pm

Nathan Young, Warren Realrider, Mekko Harjo

Artist-composers Warren Realrider and Nathan Young presented a workshop and a new composition, Kitawîrisu’ (or The Gambler), a stochastic piece inspired by the chance operations of John Cage, the Fluxus artists, and John Zorn’s Cobra. Kitawîrisu’ incorporates extended compositional techniques, utilizing voice, phones, paper, and sticks, to generate sound through Asâru’—games of chance.

This workshop was open to all participants interested in exploring new compositional techniques. Participants engaged in the creative process by experimenting with chance-based composition, interacting with various sound-making objects, and contributing to the evolving structure of Kitawîrisu’. Through guided improvisation and collaborative exercises, they gained insight into how Pawnee traditions intersect with contemporary experimental music, fostering a deeper understanding of stochastic composition and Indigenous approaches to sound.